6 September 2006

MARY LOU WILLIAMS - BLACK CHRIST OF THE ANDES

















Something a little different today with this beautiful,spritual jazz lp by Mary Lou Williams which also features Grant Green and Percy Heath .I have posted the stunning artwork from the original Mary lable LP release although this rip is from the re-issue cd from Smithsonian Folkways Recordings which also features 4 extra tracks.

Here's a review from AllAboutJazz by Bob Jacobson:

Calling this album mainstream is a bit misleading, since it includes four pieces of choral/sacred music and one avant garde cut. In a way, it's the perfect mirror of where Mary Lou Williams was in the early 1960's, coming out of a nearly ten year absence from performance. At the beginning of that period she had devoted herself solely to religion and charitable work. Jazz-loving priests within the Catholic church convinced her to convey her religious feelings through what she did best: performing, composing, and arranging. Here we have some of the beautiful results.
The hymn “St. Martin de Porres” celebrates the life of a recently-canonized Peruvian patron saint of interracial justice, complete with modern jazz harmonies and rhythm patterns, ascending and descending chromatics and falls, with a brief, simple Latin piano interlude. The very hip jazz waltz ”Anima Christi” has the usual strong bass line of a Mary Lou Williams tune, here doubled by Budd Johnson on bass clarinet.
Vocal soloist Jimmy Mitchell reminds me of a higher-pitched Lou Rawls. Grant Green's clean, hip, tasty blues licks flavor the piece throughout. “Praise the Lord” brings together inspired gospel and the feeling of a great jam session, with swing era vet Budd Johnson wailing on tenor sax. Jimmy Mitchell quietly raps. By the time he sings “Everybody clap your hands now,” you'll be doing that or moving your body in some fashion.
Exploration was the hallmark of Mary Lou's career. Here she takes the journey into rhythms and deeply into the blues. At times her playing is very spare but deeply felt. “A Fungus A Mungus” takes the listener in a polytonal direction, hinting at her later interest in Cecil Taylor.

6 comments:

David Federman said...

This is one of the most important jazz downloads I have ever made. I love Mary Lou's piano playing and compositions. To me, she is a female Billy Strayhorn. Please post more. And thanks from the bottom of my heart for this magnificent album.

xmnr0x23 said...
This comment has been removed by a blog administrator.
xmnr0x23 said...

I'm bopping to this one, Bacoso! Makes me want to grab a cigar and sip on some great cognac.

Fido the Yak said...

Tripping. Thanks for sharing. I just love Mary Lou's Zodiac Suite, but haven't heard much of her besides that and the stuff she did with the Andy Kirk band. Now I will definitely have to go on a Mary Lou Williams binge.

E S said...

I've been looking for this one for quite awhile. I've been listening to the Zodiac Suite for years. But I can't seem to find the link, has it been removed ?

robbs said...

Today I just learned of Mary Lou Willaims. Did not know the major contributions she had in the jazz genre. If possible can you post this one again please. Thank You